Wind-Over-Body is a series of ceramic slip body prints on plastic sheeting. These prints are installed in various public and outdoor spaces and left to interact with their environments; eventually crumbling and washing away, leaving only the plastic behind. This plastic is then recollected and archived, or, more likely, used in the production of another print or edition of the work: continuing its cycle.
While clay crumbles, washes away, and is eventually returned to its natural state, the plastic sheet ages miserably: bearing an oily residue (combination of clay interacting with body) which remains and further interacts with following prints, as the object is recycled in a seemingly endless life cycle.
Two Torsos Dancing
From the series Wind-Over-Body: Terracotta and white stoneware slip, body prints on plastic, corrugated metal, rain
2025
Plastico Respira
From the series Wind-Over-Body: white stoneware slip, body print on plastic, rope, grommets, two trees, rain
2025
This piece was commissioned by the Non-Profit La Casa Mandarina and York University as part of From Feeling to Resisting: artivist impact and knowledge on sexual and gender violence in Mexico.
